Liepaja Theatre Blog Archive Put VĒJIŅI!
Actors Egon Dombrovskis, Inese Kučinskas, Kaspars Honorary virtuous game challenging round of human plays as expected, (only) instincts trenkātu being there without any spiritual "contamination". But this pure naturalism corresponding concept is played out with exciting artistry, stage events allowing to see the modern man. - Sylvia Radzobe ("There" the sak / "The Witch")
The show received broadcast "cultural 100g" PRIZE "Kilogram Culture 2011" in the nomination "Theatre". The show was nominated in 2011 / 2012th the "Gambler's night" 5 Award nominations: "The musical performance" (prizes), the sak "The new Performing Artist" (E. and A. Pjat Jēkabsone), "The stage designer" (M. Vilkārsis), "The movement of the artist" ( I. Krasovsky) (AWARD) and "The costume designer" the sak (I. Vītoliņa). The show received Egon Liva prizes "Coast people" in the nomination "The best realized literary idea."
Raina work "Blow, Wind" is not only one of the author's creative work, but also Latvian literature peaks, as well as one of the most staged Raina plays. Uldis boisterous and virtuous Baibas the sak love story in a new sound by Raina plays and Latvian folksongs created K. Bear, J. Elsbergs, E. Mamaia and Dž.Dž.Džilindžers.
Cast: Baiba - Aija Andrejeva or Everita Pjat Uldis - Edgar Pujāts Gatineau - Kaspars Karklins Didzis - Egon Dombrovskis Zane - Agnese Jēkabsone Anda - Signe Ruicēna or Madara Melne Mother - Inese Kučinska Orta - Anda Albuže the sak ČIEPS - Sigita Jevgļevska
Set Designer - Martin Vilkārsis Costume Designer - Ilze Vītoliņa Choreographer - Inga Krasovsky jewelery master - Aivars Vamzis Lighting Design - Martins Feldmanis Koncertmeistars - Normunds Kalnins Vocal teacher - Ladybug Lazdāne
Reviews of the show: Latvian the sak theater apple Kochi Blow, Wind! with giant strength - Livia Dūmiņš review in the newspaper "Independent" A masterpiece of Liepaja Theater - Sylvia Radzobe review the sak in the newspaper "Independent" Music of Rainis and two world m - Edith Tišheizeres Review the sak newspaper "Culture Day" the sak Strength + soul? - Zane Radzobe review www.mansmedijs.lv virtues mill - "Blow, Wind" Liepaja Theatre - Dita Eglītes the sak review portal Delfi Theatre Ciba - Livia Dūmiņš the sak and Arno Jundze overview of productions All the stars counted - Linda Ģibiete Review newspaper "Kurzeme word" Vējiņš the sak with storm force - Daigas Mazvērsīte Review newspaper "Week pocketed" This new force. Rainis in nature - Edith Tišheizere portal www.liepajniekiem.lv Emotional Flight ethnic framework - Breezes Lēvaldes Review Online www.diena.lv
I even read them negribēsies texts, the sak which argue that this Bear in music there are too many other cultures as a professional ietekmes.Varu only say that music is fantastiska.Tajā is so much love and lightness. The show rocked, it was very viss.Emociju gamma plaša.jau first join two tenth minute was ruled tears. Everita ... love you!
Sets outstanding. Agnes, Everita, Inese and Kaspars performance like that. Pleases the eyes of brilliance and fantastic strength - movement and dance is a lot, but singing so beautiful, so beautiful. Overall, definitely a successful staging, with which you can be proud of, but he called it a genius, however, it would be as exaggerated - either can "bind" a lot of things and inaccuracies, directing. But nice that people are so fond of, that on the show talking and talking, even those who have never theatrically vis not. Glad!
Saturday noskatījos.Varu "bind" a few cases which completely sketchy the sak Uldis line (he left aside as an observer, although it is one of the "center" objects), the end of the chorus as a long and himnisku and yet this is it, but ... music over whole (so deep, so folk-(here I do not think folk songs), so the Latvian mentality characterizing) Actors beautiful singing, movement, costumes, the sak scenogrāfija- the sak it's all carried away, even to tears. Kopumā- wonderful spectacle. the sak
Well after this show, it seems that Liepaja is no longer so far away from Riga, in general really great show, am not a theater critic or connoisseur of high art, but now that's what I saw and heard fascinated me about all kinds of 100%. If even the "harsh" old as me (so either I myself feel) is able to move and seduce the show ... then either really great .. recommend to all.
For the third day, both my husband and I live in the show ... there are no words to express admiration, will stay there again and again ... Aija voice - a unique, Edgar Uldis - stunningly captivating (either as a neiemīlēt?). Disservice music - fasicinējoša, and together with the outfits, dancing and a single actor game
Actors Egon Dombrovskis, Inese Kučinskas, Kaspars Honorary virtuous game challenging round of human plays as expected, (only) instincts trenkātu being there without any spiritual "contamination". But this pure naturalism corresponding concept is played out with exciting artistry, stage events allowing to see the modern man. - Sylvia Radzobe ("There" the sak / "The Witch")
The show received broadcast "cultural 100g" PRIZE "Kilogram Culture 2011" in the nomination "Theatre". The show was nominated in 2011 / 2012th the "Gambler's night" 5 Award nominations: "The musical performance" (prizes), the sak "The new Performing Artist" (E. and A. Pjat Jēkabsone), "The stage designer" (M. Vilkārsis), "The movement of the artist" ( I. Krasovsky) (AWARD) and "The costume designer" the sak (I. Vītoliņa). The show received Egon Liva prizes "Coast people" in the nomination "The best realized literary idea."
Raina work "Blow, Wind" is not only one of the author's creative work, but also Latvian literature peaks, as well as one of the most staged Raina plays. Uldis boisterous and virtuous Baibas the sak love story in a new sound by Raina plays and Latvian folksongs created K. Bear, J. Elsbergs, E. Mamaia and Dž.Dž.Džilindžers.
Cast: Baiba - Aija Andrejeva or Everita Pjat Uldis - Edgar Pujāts Gatineau - Kaspars Karklins Didzis - Egon Dombrovskis Zane - Agnese Jēkabsone Anda - Signe Ruicēna or Madara Melne Mother - Inese Kučinska Orta - Anda Albuže the sak ČIEPS - Sigita Jevgļevska
Set Designer - Martin Vilkārsis Costume Designer - Ilze Vītoliņa Choreographer - Inga Krasovsky jewelery master - Aivars Vamzis Lighting Design - Martins Feldmanis Koncertmeistars - Normunds Kalnins Vocal teacher - Ladybug Lazdāne
Reviews of the show: Latvian the sak theater apple Kochi Blow, Wind! with giant strength - Livia Dūmiņš review in the newspaper "Independent" A masterpiece of Liepaja Theater - Sylvia Radzobe review the sak in the newspaper "Independent" Music of Rainis and two world m - Edith Tišheizeres Review the sak newspaper "Culture Day" the sak Strength + soul? - Zane Radzobe review www.mansmedijs.lv virtues mill - "Blow, Wind" Liepaja Theatre - Dita Eglītes the sak review portal Delfi Theatre Ciba - Livia Dūmiņš the sak and Arno Jundze overview of productions All the stars counted - Linda Ģibiete Review newspaper "Kurzeme word" Vējiņš the sak with storm force - Daigas Mazvērsīte Review newspaper "Week pocketed" This new force. Rainis in nature - Edith Tišheizere portal www.liepajniekiem.lv Emotional Flight ethnic framework - Breezes Lēvaldes Review Online www.diena.lv
I even read them negribēsies texts, the sak which argue that this Bear in music there are too many other cultures as a professional ietekmes.Varu only say that music is fantastiska.Tajā is so much love and lightness. The show rocked, it was very viss.Emociju gamma plaša.jau first join two tenth minute was ruled tears. Everita ... love you!
Sets outstanding. Agnes, Everita, Inese and Kaspars performance like that. Pleases the eyes of brilliance and fantastic strength - movement and dance is a lot, but singing so beautiful, so beautiful. Overall, definitely a successful staging, with which you can be proud of, but he called it a genius, however, it would be as exaggerated - either can "bind" a lot of things and inaccuracies, directing. But nice that people are so fond of, that on the show talking and talking, even those who have never theatrically vis not. Glad!
Saturday noskatījos.Varu "bind" a few cases which completely sketchy the sak Uldis line (he left aside as an observer, although it is one of the "center" objects), the end of the chorus as a long and himnisku and yet this is it, but ... music over whole (so deep, so folk-(here I do not think folk songs), so the Latvian mentality characterizing) Actors beautiful singing, movement, costumes, the sak scenogrāfija- the sak it's all carried away, even to tears. Kopumā- wonderful spectacle. the sak
Well after this show, it seems that Liepaja is no longer so far away from Riga, in general really great show, am not a theater critic or connoisseur of high art, but now that's what I saw and heard fascinated me about all kinds of 100%. If even the "harsh" old as me (so either I myself feel) is able to move and seduce the show ... then either really great .. recommend to all.
For the third day, both my husband and I live in the show ... there are no words to express admiration, will stay there again and again ... Aija voice - a unique, Edgar Uldis - stunningly captivating (either as a neiemīlēt?). Disservice music - fasicinējoša, and together with the outfits, dancing and a single actor game
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